Road Dogg's Take: WWE's Mid-Card Woes and the Need for Variety (2026)

In the world of professional wrestling, the recent departure of Road Dogg, a.k.a. Brian James, from WWE has sparked an intriguing conversation about the state of the industry's top promotion. James, a veteran of the business, left WWE on his own terms, citing a lack of appreciation and a desire to spend more time with his family. However, his comments on the current state of WWE's roster and storytelling approach offer a deeper insight into the challenges facing the company.

The Problem with WWE's Top-Heavy Approach

James identifies a critical issue with WWE's current narrative structure. He believes the promotion is overly focused on the top stars and their title stories, leaving little room for mid-card entertainment and diverse storylines. This top-heavy approach, he argues, is detrimental to the overall show and audience engagement.

"You can't just have a top guy and tell his title story... There's no mid-card entertainment. That's what I think about. More of the show is mid-card than it is top guy, so you've kind of got to go with that," James explains. This perspective highlights a potential imbalance in WWE's creative direction, where the focus on a few main events may overshadow the potential for engaging mid-card matches and characters.

Learning from OVW's Variety Show

In contrast, James praises Ohio Valley Wrestling (OVW), currently run by former WWE star Al Snow, for its fresh and varied approach. OVW, he notes, offers a "variety show" with comedy, serious wrestling, title stories, and a strong women's division. This diversity, James believes, is what WWE could benefit from adopting.

"They have a variety show... You've got to switch it up. If every match is a barn-burner with 40 dives and 60 flips, what are we doing here?" James' commentary here is a call for WWE to consider the broader appeal of its shows and the importance of variety in keeping audiences engaged.

The Need for Fresh Storytelling

James' critique of WWE's storytelling approach is not just about the lack of mid-card focus, but also about the need for fresh and engaging stories. He emphasizes the importance of telling more than one story at once, a strategy that keeps audiences invested and interested in the long term. This perspective suggests that WWE may be missing an opportunity to develop compelling narratives beyond the main event scene.

A Broader Perspective on WWE's Future

James' departure and his subsequent comments offer a unique insight into the challenges facing WWE. His emphasis on the importance of mid-card entertainment and diverse storytelling suggests a need for WWE to reevaluate its creative direction. By adopting a more varied approach, WWE could potentially enhance its overall show and appeal to a wider audience.

In my opinion, WWE's current state, as described by James, highlights a potential creative stagnation. The promotion's focus on a few top stars may be limiting its ability to innovate and engage its audience. By embracing a more diverse and inclusive storytelling approach, WWE could tap into a broader range of talent and create a more dynamic and exciting product. It's a fascinating challenge for the industry leader, and one that could shape the future of professional wrestling.

Road Dogg's Take: WWE's Mid-Card Woes and the Need for Variety (2026)
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